About

I work where technology, human systems, and creativity overlap.

My background started in professional sports and the arts before I moved into biomedical engineering, MedTech R&D, and project leadership. Since then, I’ve worked across medical 3D printing, research infrastructure, wearable support systems, fashion-tech projects, and multidisciplinary creative production — usually somewhere between engineering, design, and people coordination.

What interests me most is turning abstract ideas into something tangible: a working prototype, a functional system, a research environment, a team that suddenly clicks into rhythm. I enjoy building things from zero — especially when the process requires different types of people to understand each other and move toward the same outcome.

Over the years I’ve led small cross-functional teams, coordinated biomedical and creative projects, managed timelines and delivery workflows, and founded parallel ventures like Aurora Braces and FORNIX atelier. One side of my work is deeply technical; the other is driven by storytelling, aesthetics, movement, and human experience. I don’t really separate the two.

I believe technology becomes meaningful when it stays connected to people. The tools evolve constantly, but qualities like curiosity, courage, empathy, discipline, and vision remain timeless. Those are the things that make teams work, projects matter, and ideas survive beyond the concept phase.

Most of my work revolves around creating systems — technical systems, creative systems, human systems — that can actually move something forward.

If a project combines innovation, strong vision, and real-world impact, I’m usually interested.